Part one:
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Part two:
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Part three:
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The «garden of butterflies»composition is built from many «butterflies» — a one-day composed-improvised pieces, that became one of composer’s blog post type. The composition is a 42-minute long electro-acoustic composition and the division in parts is made only for better listening experience.
More about ‘Garden of butterflies, tape music. 2007’ »
Author: M. Puchkov Post a new comment.
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Performed by: Nadezhda Artamonova (violin), Sergey Kondrashov (conductor), orchestra «Russian philharmony». Recorded live September 11, 2008 at the concert in Composers House, Moscow.
The music here is composed as organic and free as if the author is born with the classical form within… The composition is complete and convincing, with that warmth available only to the sound of the violin Произведение получилось цельное и убедительное, с той теплотой и сердечностью, какая присуща только звучанию скрипки.
Mikhail Puchkov, «Russian Musician 2.0»
More about ‘Poem for the violin and orchestra (2006)’ »
Author: A. Komissarov Genre: acoustics, symphony orchestra, violin
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Composition for flute, clarinet, french horn, violin and cello.
The future in the piece is showed as an existing reality. Instruments go out of their initial nature and nearly lose it completely. The inaudibility of certain moments confirms the transition of the music to a new form when the situation of concert performance becomes the important thing without the necessity of having sounding realisation.
More about ‘Ctrl + C / Ctrl + V. 2008’ »
Author: G. Dorokhov Genre: chamber ensemble
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Performers: Dmitry Tolpegov (trombone) and Department of Defense’s Symphony orchestra, conductor — N. Sokolov.
I’m greatly interested in torsion fields’ divergence, so I wanted to reproduce them through music… Joke :) It’s an one movement concerto, traditional music written simply for the joy of the music itself :)
Author: D. Tolpegov Genre: acoustics, симфонический оркестр, тромбон
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The main idea of this one-movement composition is the search of non-standard approach to the string quartet genre and destruction of several stereotyped being applied to the quartet music. The role of pitch is secondary in this composition. Several rhythmic formulas and their transformations majorly through polyphonic techniques and also the sounds of majorly destructive and broken nature are the “building blocks” of this piece. All this leads to the creation of sound thicket that sometimes suddenly shut off or gradually rise or transform in the mechanical zones of rhythmic pulsation…
More about ‘String quartet. 2007’ »
Author: G. Dorokhov Genre: acoustics, string quartet
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